Thursday, February 18, 2010

FEATURED ARTIST

We have a glass artist to meet. You will enjoy getting to know






Here is our interview with the artist, Steena -

Briefly describe what you make?

I specialize in fused glass bowls, platters, and trays. Fused glass is considered “warm glass” work meaning it is fired in a kiln to usually no more than 1450 degrees. To fuse glass two or more pieces of glass are cut, shaped, ground and cleaned into the desired shape and pattern. Then these pieces are fused together in the kiln. The fused piece is now placed over a mold and put back into the kiln to be “slumped” into the mold shape.

What mediums do you enjoy working in most?

I use Bullseye Glass exclusively for my work. Bullseye makes beautiful glass that is specially designed for fusing. It always turns out lovely. I have worked with many mediums in art throughout my life, but glass is by far my favorite. Its versatility and wide array of colors is wonderful to work with.

How did you get started?

My love of glass goes back many years. During a college trip to Europe, I became fascinated with the stained glass in the cathedrals. Upon returning home, I took my first class in glasswork and learned how to make stained glass windows. This served as a wonderful introduction to the world of glass art. From there I began to learn glass bead making and became intrigued by the amazing transformation that takes place in glass once heat is applied. These glass beads became parts of handmade jewelry that I gave to friends and occasionally sold at small craft fairs. A cross-country move and new neighbors served as my introduction to fused glass. My new neighbors commented on a glass bead necklace I had made which turned into a discussion about kiln formed glass. My neighbor’s mother taught fused glass. We talked about my fascination with glass she suggested I try one of her mother’s classes. I signed up for her class and was immediately captivated by kiln formed glass. Shortly after the class, I purchased my first small kiln and began perfecting the art of fused glass in my basement. After several years, I decided to relocate back to the Pacific Northwest. The Seattle area is renowned for its glass art and is a wonderful location to continue to pursue fused glass.

Where does the name of your shop come from?

I had a cat many years ago who would sit with me while I made stained glass windows. He was fascinated by the glass and the way the light reflected on it. Also, this cat was quite large. He would sit up next to me with his back legs straight out and his front paws to the sides. His large belly would spill over to the sides and this reminded me of the laughing Buddha pose. When I started my shop, I wanted to honor my now deceased kitty who hung out with me on my first glass projects.

What would you most want people to know about your work?

Most people do not allow themselves to do more than look at glass art, perceiving glass only to be something fragile that must be admired from afar. To me, glass should not be just a flat object experienced only with the eyes--glass is beautiful both seen and touched. For this reason, I endeavor to take fused glass from a two-dimensional object to a three-dimensional experience. To achieve this, I add glass dots, which are tack fused onto the glass base, adding both dimension and texture. My glass dots come from pattern bars that I have built, fired, cut into pieces on a tile saw, and re-fired into dots, creating tactile embellishments for my fused glass pieces

What words of advice do you have for other artists?

Make the art you like, not what you think will sell. Your art will find its audience.

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Glass is an ancient art and Steena does it so well! Go now and take a look at Budha Kitty Glass Then come back and tell this artist how much you appreciate the work!

Thursday, February 11, 2010

FEATURED ARTIST

Here is a fiber artist from Canada doing something a bit different. Come and meet



Here is our interview with the artist, Sarah

Briefly describe what you make?

I design and sew toys and accessories from recycled wools and cottons—plush dolls, mostly, mittens and pouches, all with hand-embroidery. The dolls, aka “Beasts” come in two sizes: the small ones (about 5” tall) fit snug in a hand and larger ones (about 10”) tuck nicely under an arm.

What mediums do you enjoy working in most?

I’m a scavenger at heart (part hawk, I figure) and love upcycled textiles. I find 100% wool sweaters from thrift shops and shrink them. Cotton flosses and wool yarns are for ornamental embroidery. I avoid synthetics and polyesters as much as possible. Friends drop off their inherited button jars and mistakenly shrunked sweaters, so my stock is growing.

How long have you been creating craft?

I’ve been crafting things since my first dandelion wreath in the sandbox, but since then I studied at art college where I made drawings and ceramics. I taught high school art and now I’m home raising kids. I learned to sew and embroider as a child (my mom was a prolific quilter) and returned to the craft a few years ago.

How did you get started?

The sewing sprang from the need for a birthday gift for my mom, who’s in a nursing home and unable to talk, read, or do much of anything independently. I wanted to give her something small and soft that she could hold and feel my love. I tried sewing a heart from fabric but it wasn’t good enough, I thought, (the first one was really ugly) so I made about a dozen more until I could get it right. I learned about felting wool along the way. I love the freedom of cutting and sewing felted materials—it’s very immediate and almost all your work shows—there are few hidden seams. There’s something honest and upfront about that.

Where does the name of your shop come from?

A “wildebeest” is a gnu, but literally means “wild beast”. I slipped “wool” into the name as a nod to both my material and the goofiness of the plushies’ personalities. Or maybe it’s me who’s the wooldebeast!

What would you most want people to know about your work?

I’m inspired by the concept of comfort dolls—knitted donations for kids in Africa who have lost loved ones. Comfort dolls are packed in place of Styrofoam chips for HIV-AIDs medication. I made and sent one via I-Cross Canada a few years ago and loved the small scale of the doll. Sewing with recycled wools suits me better than knitting but I still like the idea of the beasts as gifts for anyone in need of a smile or comfort.

What words of advice do you have for other artists?

Tip 1: Take time to play, to develop a personal style. Experiment. Make some stuff you’d never sell.

Tip 2: Be careful not to smudge your work with the remains of your chocolate stash.

Tip 3: You can find time to make things in strange places. I hand embroider on long car trips, for instance.

Tip 4: Don’t drop straight pins under the table where your husband puts his feet.

Tip 5: Inspiration comes from the most unlikely of places—a faded decal on an antique teacup, maybe. Be ready for it.

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Go right now and visit Wooldebeast - and then come back and tell Sarah what you think!

Thursday, February 4, 2010

FEATURED ARTIST

We have a painter to feature this week. Come and meet



Here is our interview with the artist, Amanda -


Briefly describe what you make?

I create original paintings with acrylics in addition to creating mixed media/2D art that has a modern vibe to it but can suit itself in different types of decor as well.

What mediums do you enjoy working in most?

Acrylics. Although I have not tried oils to date I am totally happy with what I can achieve with acrylics. With 3 kids I have a limited working time so acrylics accomodate that as well. I love working with different gel mediums as well it helps to create the type of texture I desire. Also, I have brought in using papers and really enjoying that route right now plus they are upcycled. I rescued an almost bin bound wallpaper sample book from a local paint shop and use that a lot in my 2D pictures.

How long have you been creating art?

I have had a love of drawing as far back as I can remember! If I wasn't drawing or painting I was doing some sort of arts related thing from sewing, beading, crafting, modelling and professional acting. Infact, I acted professionally since I was 14 with jobs in commercials, movies and various roles in TV series, but again, I have 3 wonderful kids and the amount of hours away from them just wasn't worth it. No matter how much money I could make, no amount would ever buy time back! With this and a series of other events that happened in my life is what brought me back to painting.

How did you get started?

I started getting more serious about selling my paintings after incurring a large stock pile of them from painting so much. The biggest challenge for me to get over was fear! (Crazy huh!? ) But it first kept me from even painting for a while because of all the what ifs...what if it's no good, what if I lost my touch, what if this and what if that. I had people always encouraging me and asking if I was persuing my art and I realized that I had been given a talent to share and use, not to waste! Many sales later through both Ebay and Etsy I have shared my art with people throughout North America and just recently, in Europe as well! These people would have never been able to enjoy my art on their walls if I had stayed in fear and done nothing.

Where does the name of your shop come from?

The name of my shop is simply my last name - Park. Add the art studio on the end and there you have it. I still wanted my store name to represent me but when I googled Amanda Park it is strangely an actual place in Washington! Look it up for yourself.

What would you most want people to know about your work?

I want people to know that my work is created with passion! I love what I do and in everything I do, I will do it to the best of my ability. That is how I was raised. I will keep tweaking a painting for days and even months until I am satisfied with how it looks. It is frustrating getting to that point sometimes, but so rewarding to see the finished product.

What words of advice do you have for other artists?

Get around people that will encourage you in what you want to do and DO NOT let fear of rejection get in the way. A great quote from the king of hockey ( I am Canadian so I think everyone here knows this one ) Wayne Gretzky is - " You miss 100% of the shots you don't take. " So true. Look for different ways to get yourself out there and stay positive.

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Fabulous! Please come and take a look now at this shop and then come on back and let Amanda know what you think!

Thursday, January 28, 2010

FEATURED ARTIST

We have a potter to present to you - or should I say "ceramics artist" - Come and meet



Here is our interview with the artist, Laurie -

Briefly describe what you make?

I make fine art, functional ceramics. Each piece is hand-crafted by me and no two are alike. I use stoneware and porcelain clay and fire in electric, gas and wood-fueled kilns depending on the surface result and color I am seeking with a particular piece.

What mediums do you enjoy working in most?

Clay, Clay and Clay. I had tried painting and photography, but from the moment I touched clay, I was hooked. I would someday like to combine clay with photography, but I will always work in clay. I get my need for variation by trying different firing techniques. I tried wood-firing again this last fall after many years just using an electric kiln and just loved the results. It's a lot of hard work, with unpredictable results, but so worth the effort.

How long have you been creating craft?

Prior to my first pottery class, I would call myself an arts and crafts dunce. I was never good at making things as a kid, except for mud pies. I have now been make pots for close to seven years.

How did you get started?

When I moved to D.C., I knew no one. So I started taking art classes as a way to meet people and as a creative outlet from work. I had no talent at painting. When I quit my job, I couldn't afford to keep up with photography. I was always drawn to pottery in galleries and stores, so I decided to give it a try. I took my first pottery class at a community center in 2003 and a year later moved to the Art League in Alexandria. I became an associate there last fall.

Where does the name of your shop come from?

Claytastic is a blend of clay and fantastic, which is what I think of pottery - it is just fantastic to make and use.

What would you most want people to know about your work?

I make my pieces to be used and touched. Not only are they dishwasher, microwave and food safe, but the texture and shape is comfortable to hold and use. I have given a lot of thought into the usage of each piece. Also, my inspiration is multi-faceted. I am inspired my nature, architecture, the human figure, the colors and textured of the places I have lived and traveled. Who I am is present in each piece of work.

What words of advice do you have for other artists?

Get outside your current environment and expand your inspirational inputs. Travel. Go to museums of all kinds. Take pictures of everything. I have learned that sometimes things we don't even think about being our inspiration, subconsciously inspires us and finds it way into our work. The more inputs you have, the richer and more interesting your work will be.

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There are some very nice things to see in this shop! Click on over there now - and then return to leave a comment for the artist!

Thursday, January 21, 2010

FEATURED ARTIST

This week we have a jewelry artist who does some very nice work. Come and meet



Here is our interview with the artist, Christina -

Briefly describe what you make?

I design and make jewelry and beaded bookmarks. Most of my earrings and necklaces are made with gemstones and semi-precious stones, as well as glass, shell, and pearl, and I mainly work with sterling silver. I use the same quality materials to embellish my silver-plated hook bookmarks.

What mediums do you enjoy working in most?

My favorite materials to work with are natural stones. I love the unending variety of colors and patterns in Ocean and Crazy jaspers. I love the swirls in Banded and Botswana agates. I love to take out my magnifying glass and look at each little bead I buy and admire the whirls and dots and splashes. I take photos of my jewelry with a macro lens
so buyers can see all the little fine details, and hopefully appreciate them as much as I do.

How long have you been creating craft?

I got off to a pretty slow and unsuccessful start early on. My first attempt at creativity was an 8th grade sewing class and I didn't do too well there. It was too much math/measuring for me. My freshman year in high school I tried again, taking a Home Ec. class in sewing, and I made my teacher cry. (She retired soon after so I don't think it was just me that stressed her out...) I started doing cross stitch in college and kept at it over a ten year period. And then once I had children my creative efforts went into making things that they could help me with like candles, soaps, and ornaments.

How did you get started?

A few years ago my ill father came to live with me, and I and my family cared for him until he passed away in 2007. During the year that he lived with us I spent a lot of time assessing my life, my needs, and my interests and desires. After that year of very emotionally intense care-taking, I felt a strong need to do something creative. Without any real thought I decided I wanted to try my hand at making jewelry and within a month of his passing I was in a craft store buying some beads and wire. I've been making jewelry and bookmarks now for just over two years and love everything about the creative process. I also think of my dad when I think of my jewelry business, and how happy he'd be to see me doing what makes me happy.

Where does the name of your shop come from?

I had such a difficult time choosing my shop name! Etsy was the first place I considered to start my shop in so I did quite a bit of looking around to see who was selling there. I went through so many names while trying to decide if I was a cute cottage, a serious studio, a fancy aerie. I finally decided I was a down-to-earth shop and the name Leaf and Tendril soon followed. I think the name suits me because it's natural and organic, no muss and fuss.

What would you most want people to know about your work?

I'd like people to know that I really care about the quality of materials I choose. That I take a lot of time and thought into putting each piece together. And that even though I fret daily that I'll never sell another thing again - I thoroughly enjoy what I'm doing and hope that some of the energy and fun carries into the earring or bookmark I'm making, and then onto the person who buys and uses it.

What words of advice do you have for other artists?

I'm still new to the business of being an artist so I won't give business advice. The advice I will give is this: YOU CAN do this - design, create, innovate, sell - without a degree from a fine arts school. You don't need to have started when you were a teenager, or even be a 20 something. You don't need a whole lot of money and a beautiful studio to go with it, although that would be nice. You just need to set a little of your very valuable time aside, and while doing that, listen to your inner artist. She/He will tell you what to do, and then you'll figure out how to do it.

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Great interview - nice shop. Come visit it!

Thursday, January 14, 2010

FEATURED ARTIST

Hmm. Our featured artist describes their shop as "evil" - really. Well, that should get your interest about -



Come meet this "evil" artist -

Briefly describe what you make?

I make the world a brighter place with snarktastic greeting cards and paper gifts that your mother would never send. We combine beautiful design with edgy copy to create the kind of products that make smart people laugh.

What mediums do you enjoy working in most?

I tend to prefer working in larges. Size matters, you know. Flytrap is a paper store.

How long have you been creating craft?

My shop has been open for a little over a year. But I don't consider it a craft. It's more of a means of spreading evil pleasure.

How did you get started?

I started by making jewelry. I sold okay, maybe 35 sales in 6 months. I realized I sucked at jewelry after I made some obnoxious parking tickets in December of 2009 (my only paper item at the time). They sold like hotcakes. By mid-February, I had given all of the jewelry away and completely transformed the business into paper products.

Where does the name of your shop come from?

Venus Flytraps teeter on the edge of inappropriate plant behavior - just like Flytrap products do. They're also funny looking.

What would you most want people to know about your work?

Someone, somewhere is going to get offended. Someone, somewhere else is going to laugh. The important thing to remember about Flytrap is that we will not skimp on quality in language, paper, design, or printing. You're going to be able to give someone a card that makes them laugh after teasing them with a warm and fuzzy graphic.

What words of advice do you have for other artists?

Be agile. Don't get emotionally attached to any aspect of your business - least of all your art. If something's not moving, create something that will. By the same token, realize there is a market for everything. If you're going to insist on creating a product that isn't moving, spend your time finding a market that wants it.

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Neat things from a neat artist. Come see NeatThings